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Sunday, May 07, 2017

Samyang 800mm Lens Review: A Night & Day Companion

The Power of Controversy

The Samyang 800mm MC IF f/8 is a manual focus, fixed aperture mirror lens made in Korea. It is a well-built metal construction styled in black and white. Having no electronics, it reaches a weight of only 946 g. Its compact size makes it easily portable. It has a good grip and lies good in the hand. Every copy of it comes with a test certificate.

The Samyang implements a closed, dust-protected catadioptric design consisting of a large corrector plate in the front, a primary and a secondary mirror and an embedded 4-lens flattener. The optics feature Multi-coated (MC) coatings ensuring high light transmission. Both lens caps are made of plastic. Its universal T2 mount is adaptable to numerous interchangeable lens cameras.

There is an optional 2x teleconverter with T2 threads on both sides, providing extreme telephoto capabilities.

A metal lens hood is also available in the market (Samyang Lens Hood 800mm f8 Mirror SH-105S). It is screwed on the 105 mm filter thread. It has been blackened and fine-textured to prevent internal reflections. It also acts as protection against damage to the front lens element.

First Impressions

If you are a stargazer, many questions are immediately answered when you see it at the first time. It behaves like your beloved Schmidt-Cassegrain telescope.

If you are new to obstructed optics, please take your time to become more familiar it. Mirror optics differ from refractors in many respects, especially in terms of properties and handling. How the images will finally come out, will mainly depend on your shooting techniques and your photo processing skills.

Personally, I like the color rendition and the bandwidth of the Samyang very much. The photos have a rather cold, neutral look. Chromatic aberrations (CA) are negligible. Its donut bokeh is vivid and vibrant but typical for catadioptric lenses. I find it creative and inspiring but it will definitively polarize your audience. They will either love it or hate it.


Application Areas

Observational photography

The Samyang lens is suitable for shooting distant, non-moving targets. Despite its softness, its telephoto capabilities are impressive and unique once portability comes at first place.

If even more reach is required, a teleconverter might be a choice. However, the usage of inexpensive teleconverters often implies a significant loss in terms of quality and light transmission (2+ EV stops).

Wildlife

Wildlife photography is possible if:
  • the situation does not require frequent refocusing, or
  • the scenery does not presume hectic movements, and
  • enough light is available.
In many cases, you might miss here the auto-focus (AF), the vibration reduction (VR), the sharpness and the micro contrast of professional lenses.

Macros & Portraits

This Samyang can focus on to about 3.5 m which can give you acceptable macro shots. Using it for portraits is also interesting due to its distinctive bokeh. However, this long shooting distance might make the communication between you and your model difficult.

Astrophotography

It’s a Scope

Handle it in the same way you always do with your other telescopes. Put it on a parallactic motorized mount being accurately north aligned. You need a stable tripod. Try somehow to support your camera on the mount to avoid slipping, since it now holds the entire lens mass. Use a heated dew cap.

Finding your targets

Use a SLR red dot finder that is simply attached to the flash shoe of your camera, to find your targets easily at night. The viewfinder is only helpful for centering the target.

Focusing at night

You need to acclimatize the lens first; 30 minutes should be enough. Finally, focus it on a planet or a bright star using a Bahtinov Mask on the Live View display. The focusing scale on the Samyang is quite accurate, i.e. start with the infinity markings. Focusing is smooth with no backlash or mirror shift. However, the focus zone is very narrow. Be patient. The hot spot does exist.

Taking the picture

Point a bright Messier object and go with ISO2200 and 60s exposures first. After taking some pictures try to stack and process them as you usually do with your astronomy photos.

We are all perfectionists

Unfortunately, my exemplar shows triangle-shaped stars at winter temperatures below 5°C, which is an indication of tensed optics. Since the operating temperature range of my camera is 0...40°C, this issue is not a show-stopper for me. Under normal conditions (>10°C) the stars are beautifully round-shaped and the lens delivers a good image quality.

In general, all mechanics, lenses and mirrors inside a telescope asymmetrically shrink when the temperature decreases leading to unpleasant aberrations in my case. A solution would be to "relax" the optics, or to use mirror heaters, or to simply use it at normal temperatures as I do.

Let us be realistic, nobody should expect flat-field APO capabilities under all circumstances from a 183€ lens.


Usage

Thermal considerations

As every large lens, it needs to be acclimatized before usage. This step may take some minutes. Reaching thermal equilibrium is a prerequisite to achieve its maximum performance.

Contrast & Sharpness

To improve the contrast, the optional lens hood might be a little help. It reduces lens flares, halation, ghosting, and general degradation of the image caused by unwanted light sources. Unfortunately, the lens cap cannot be attached to the front lens, when the hood is mounted.

Stopping down the lens will further improve the sharpness. However, a self-made aperture tuner is required in this case.

Working on a Tripod

To get non-blurred pictures, you need:
  • a stable tripod,
  • a gimbal system,
  • activated mirror lock-up settings, and
  • a remote release.
Take your time on focusing and use the Live View at max. magnification. Turbulence in atmospheric layers significantly influences the image quality of large aperture lenses. You need to be patient to find the hot spot. Set the ISO as high as it reasonably gets and adjust the exposure time as proposed in the Live View.

Freehand Shooting

You will probably want to forget your tripod at home when going out for photo shooting in a sunny day. Even you deal with a real 800 mm non-VR lens, there is a way out:
  • Set the exposure time to 1/2000 s or faster. Depending on the situation, you might want to set the ISO at very high levels though. ISO 4500 works fine for me in most cases. A low noise camera body is always a good investment. Shoot in RAW format.
  • Put your camera on something solid, i.e. on a beanbag, a window frame, a branch, or a rock. Alternatively, you can lean against a tree or a wall.
  • Hold the lens with both hands. Focus as good as you can. Do not invest more than 5 seconds on focusing.
  • Hold your camera tight. Now, hold your breath and take 3 photos of the subject.
  • Examine quickly how they came out. Adjust the ISO. Refocus as good as you can and take 3 photos again!
  • Repeat the above steps several times.
Evaluate your images on your home PC later. Keep only the best one and delete the rest.

Usage as a Spotting Scope

After adapting the T2 mount down to Nikon/ Canon, you can put the respective lens2scope on the Samyang for using it as a high magnification (80x) spotting scope. You need a stable tripod in this case as well.

Here too, atmospheric turbulence interfering the view may be an issue depending on the weather and the acclimatization grade of the lens.



Conclusion

Having remarkable telephoto capabilities, this portable lens is a reasonable addition to your camera bag. While drawbacks like low micro contrast and the missing AF/VR in a classic package are not a secret, they can be excused when faced with its incredible price tag.

At the end of the day, it all depends on you. In any case, you get something timeless for little money. Having owned several lenses to date, this Samyang is simply the most controversial one.

Other much more expensive lenses surely offer better results and a broader applicability. But even you can afford them, they are far heavier and thus less portable.

Finally, one question still remains open:
How often would you use an 800 mm lens?”

Thanks for reading
Panagiotis Xipteras

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Photo Gallery: http://dark.astrodigital.net/samyang800
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DISCLAIMER: I have no affiliation with Samyang or any other manufacturer for that matter so I don’t really care if you buy this stuff over another. I take my time with each piece of equipment because I am always on the hunt for perfect solutions.

Tuesday, June 07, 2016

A Portable Setup for Narrowband Astrophotography: Zeiss 135mm, CCD camera, Avalon M-Zero, Gitzo GT5532s

The first three inches are the most important

In the bad old days, ambitious astrophotographers had to accept the risk of a slipped disk in order to make serious work under the stars. Corpulent flat-field scopes, noisy large format cameras, heavy mounts, car batteries, computer stuff and cable salad spiced with unfailing patience were in the menu when an astrophotographer decided to meet the competition at eye level. As time goes by, the wish to abandon the mass while keeping the class comes up.

This is a description of a fast telephoto setup for narrowband astrophotography. It consists of an ICX814-based CCD camera, a Carl Zeiss Sonnar 135mm (f/2) APO lens, a guiding subsystem, an Astroholgi MicroFocuser (AH-MF), an Avalon Zero mount and a Gitzo GT5532s tripod. Seemly invisible customized parts are placed at key positions to make those standard products work together as one system. This portable configuration offers a wide 6x5° field-of-view (FOV) and a useful resolution of 5.6".

This setup was thought up by three amateur astrophotographers. Holger Weber, Markus Noller and me had endless discussions over months how a portable astrophotographic setup should look like. Holger had the most practical answers. Markus inspired us with the smartest ideas. I had the most expensive solutions in mind. In some way, we were the perfect team for designing it.


The Classic Way
A widely used setup for astrophotography has often consisted of the legendary KAI-11000 sensor, a fast 106mm quadruplet scope, a 30kg class mount plus an adequate tripod. It has had the ability to match the common seeing conditions in Europe/ North America.

Quadruplet 106mm & KAI-11000 camera
Scope: 10.6cm aperture, 8 lenses (scope+reducer), 385mm, f/3.65
Critical Focus Zone (CFZ): 29,15μm
Camera: hosting a KAI-11000 sensor
FOV: 5° 21' 24'' x 3° 34' 16''
Resolution: 4.8"
FWC: 60000e-
Sensitivity at Hα line: 30%
Typical read noise: 11 e-
Dynamics: 9.4 mag, 5455 grayscale values
Pixel array: 11 MPixels
Focuser: integrated
Mount: 30kg class GoTo mount
Tripod: Wooden or metal tripod for 60kg load

Let's consider the system weight. The mount weights 16 kg, telescope is 8kg, counter weights 16 kg, tripod 8kg, camera incl. filter wheel 5 kg, plus the ... carrying cases.

The Future is now
The future is smart, light and flexible. We can already see how iPhones, iPads and Co. are changing our world. Our perception of a useful computer has been radically changed in the last decade. We replaced our old desktops with tablets. We drive to work with e-cars instead of using diesel trucks. We start wearing smart watches instead of mechanical chronometers. Has the time come to fundamentally re-think our telescope setups?

The game changer

Could a modern, light setup rival fat systems of the past? In certain cases, when uncompromising power plays a key role, nothing can defy the laws of physics. But if portability comes at first place, the answer might be somehow interesting or even ground-breaking.
Zeiss Sonnar 135 & ICX814-based CCD
Scope: 6.6cm aperture, 11 lenses, 135mm, f/2
Critical Focus Zone (CFZ): 8,8μm
Camera: ICX814-based CCD
FOV: 5° 17' 36'' x 4° 14' 5''
Resolution: 5.6"
FWC: 18000e-
Sensitivity at Hα line: 65%
Typical read noise: 5 e-
Dynamics: 8.7 mag, 3600 grayscale values
Pixel array: 9 MPixels
Focuser: Astroholgi
Mount: Avalon Zero  GoTo mount
Tripod: Gitzo GT5532s



May the Force be with you!
Look at the specs once again and you will know, what I am thinking about. It's not that much difference in terms of performance, isn't it? I mean, in the first case you have to carry some 60kg around. It's not the scope alone. You have to carry the mount, the heavier CCD including its pizza-like filter wheel, more counter weights, and a beefy tripod. Should there be any money left, you are well advised then to look for a fitness studio. You will need the force to carry the stuff around.

Finally, the question remains if a big system can exhaust its potential under the usual seeing conditions (Europe: 3..4") in your location. Is it reasonable to invest on such a big one under these circumstances?

A tiny world full of details
A Setup from Hell
The main challenge during the system design phase was to master the miniaturization. Unlike bigger setups, where you deal with issues such "large" and "heavy", you confront with challenges like "as small as possible" or "so light as its gets".

During designing a focussing subsystem you continuously fight in a mini world full of details. Astroholgi has already won this fight for you. The highlight of the story: The Astroholgi Telephoto Lens MicroFocuser forms a camera independent system. In contrary to conventional solutions , where the camera body, the focuser and the lens constitute a integral/monolithic system, the Astroholgi Microfocuser transforms the Zeiss lens to a sort of telescope, better said astrograph.

In addition to common DSLR bodies, high performance astronomy cameras can be mounted on the Zeiss lens, if they have short enough backfocus. In our setup, the ICX814-based CCD we used has 13mm backfocus. You can use the Zeiss Sonnar ZF.2 lens variant for Nikon instead of the ZE for Canon to gain 2mm more metal back distance (46.5mm Nikon vs. 44mm Canon -> Nikon ZF.2 wins). The ZF.2 provides you also the possibility to manually set the f-stops without needing a camera body to electronically adjust it.

An easy way to make good RGB work is to simply attach a Nikon d810a DSLR on the lens. It offers a large 35.9 × 24 mm full frame FX format CMOS sensor, small 4.88 µm pixels, special optimized filter for astrophotography and useful software functions. Even so, you are well advised to use the Astroholgi MicroFocuser mentioned above.

Since narrowband astrophotography -a domain of monochromatic cameras- was our objective, we have chosen a low-weight, ICX814-based CCD camera to catch the photons. Since, a focal length of 135mm ist short enough, the ICX814 sensor with its tiny but ultra-sensitive pixels is a good match even its sensor is not the biggest in the astrophotography scene.


Taming a Wild Horse
You might noticed Sonnar's tight CFZ of 8.8μm resulting from its ultra-fast focal ratio. You know, we are talking here about a focus zone of 9 thousandths of a millimeter! Like riding a Mustang is a no-go for novice riders, so astrophotography with this Zeiss killer lens is not recommended for greenhorns. It will kill all your images without an exception, if you can not tame it. But if you are looking for a wild workhorse, that can make you win a photography contest, you've just found it.

Can you ride it?
Apochromatic f/2 Lens
You might guess, it is a german artwork consisting of black metal with a lot of glass and two little pieces of plastic. The plastic parts are the caps :-) The Zeiss lens comes with a metal hood. The ZE version with EF mount for Canon is mainly considered in this report. It must be stated, that the Nikon ZF.2 variant offers the advantage of setting the aperture manually without the need of a DSLR body. This is something I really miss on the Canon ZE variant.


Apo Sonnar T* 2/135 Canon ZE version
Number of elements/groups 11/8
Weight=930 g
Filter thread M77 x 0,75
Dimensions (with caps) ZE: 130 mm
Aperture range f/2 – f/22


The Sonnar APO is perfect for astrophotography and it wonderfully lets the red Hα light to reach the camera sensor. Due to its apochromatic capabilities it is suitable for both RGB and narrowband work, i.e. for both color and monochrome cameras. A Nikon D810a, or an astro-modified Nikon DSLR are suitable candidates for RGB work. In that case, it is reasonable to use an IDAS LPS D1 77mm filter screwed in front of the lens in order to absorb the light pollution in your location. You can make twice longer exposures then. The IDAS Filter is approx. 1mm thin. If you already own the smaller 2" Hutech IDAS P2 filter, you can mount it on the Zeiss lens as well. Use the Geoptik adapter ring for 2" filters to M58 objective filter thread screwed on the XCSOURCE Step Up/Down Ring Filter Adapters. In that case, you deal with a smaller aperture of 50.8mm and f/2.6. Although aperture always counts -especially in astrophotography-, stopping down a lens might not be always a drawback. We achieved the most perfect star shape at f/3.5 across the field with this lens.

Thermal stability is crucial
Heater Bands
As usual, you need to acclimatize the lens before using it in the field. During the german winter, an hour is usually enough to cool down the Zeiss lens. To avoid fogging of the optics, especially at humid nights, heater-bands like those offered by Kendrick are recommended. The full metal construction of the Zeiss lens evenly conducts the heat from the barrel to the lenses. The heater-bands stabilize in some way the temperature in the lens and significantly reduce the need for refocussing during the night. This is one more reason not to undersize the power supply (see below).

Your eyes to the stars
CCD Camera

We have had solid arguments to choose an ICX814-based CCD as our main recording camera:
  • monochrome sensor that is best suited for narrowband work.
  • short metal back distance (13mm).
  • simple, comprehensible design.
  • over 65% response at line.
  • regulated cooling system.
  • low weight.
  • high resolution resulted from its small 3.69μm pixels making it a good match for short focal lengths.
  • acceptable 18000e- Full Well Capacity (FWC) and a low read noise of 5e- contributing to dynamic images.
  • no CCD chamber with Argon, i.e. 2mm less glass in the optical path.
  • supplied with stable, field-proven control software.
Several manufacturers like QSI, SBIG, ZWO, QHYCCD, or SXCCD produce excellent cameras based on this powerful CCD sensor.

Pain is temporary, glory is for ever
Our Modifications

The Zeiss lens is primarily computed to work on DSLR cameras. This fact has be taken into account during our system design. Additional glass in the optical path produces at f/2 strong comma. This fact has been seriously considered.

Cooled CCD astronomy cameras have a front window i.e. a glass plate which is 2mm thick in our case. The additional color filters you need for RGB/narrowband work have a typical thickness of 2..3mm. The filter glass we have used was 2mm thick.

The integrated filter (incl. bayer mask) on the sensor of a Canon DSLR (e.g. 5D Mk3) is approx. 1.7mm thick. Although our camera does not have any bayer mask on its sensor, we had to consider the problem of too much glass (2mm-1.7mm + 2mm = 2.3mm)  in the optical path because of the need of color filters. So, we were 2.3mm out of the specification.

Markus Noller, our award-winning astrophotographer and physicist, advised us to replace the front glass of the camera with a zero-thickness high quality Baader Turbo-Film foil. That would bring us 2mm closer to the Zeiss ZE specification. Following Markus's recommendations, we removed the 2mm thick front window and we placed a filter drawer accepting 2mm thick narrowband filters on the optical path. Our design almost matched the specified flange focal distance of the Zeiss lens. Please remember, we are dealing with f/2 and every micrometer counts!

Similar to every other cooled astronomy camera, our camera must be kept sealed. In place of its original front glass we installed a sandwich construction consisting of two metal rings and two layers of Baader-Turbo-Film foil separated by an air gap to prevent fogging. This is achieved by dry air mass between the two foils. After several field-tests, we consider the +0.3mm error as negligible for the sensor size of our camera. In our opinion, the system works Ok.
we warn you

CAUTION: All these actions void the camera warranty! You are solely responsible for undertaking these camera modifications. Probably, nobody on this planet will want to buy your modified camera if you sometime decide to sell it in the second-hand market.

My motto is No Risk No Fun! This is one more example on this planet where performance and commitment look to be fully associated. This is an evil setup and probably one the best astrographs I have experienced in the last two decades.

Please, read one of my previous CCD reviews to learn how to operate a monochrome CCD camera.


Mustang's saddle
Micro Focuser (AH-MF)

Primarily, the AH-MF is a focusing system for ultra-fast telephoto lenses. It is used in application areas where other focusers fail due to lack of precision and focussing reproducibility. It is completely designed and individually manufactured in Germany by Astroholgi.de. After years of design it has left the prototyping phase and went in production in January 2016. Every AH-MF is hand-made and perfectly manufactured.  If you love german quality, you are here at the right place. 

Mounting Rings
The mounting rings are part of the AH-MF. They are:
  • massive constructed to securely grab the telephoto lens. 
  • rotatable by simply unscrew two Allen screws. You can rotate the AH-MF without seriously going out-of-focus even at the extreme f/2 f-stop. 
  • offer screw holes to mount an adapter plate for an optional guider scope. 
  • offer screw holes to mount a rotatable adapter plate to support the camera in order to avoid tilting.
  • available in different colors.
The telephoto lens is only held by the first ring, that is hosted in a rotatable rail. The fixing screws should be screwed so tight as necessary to securely hold the lens! Not too tight, please! Otherwise astigmatism or other problems could be the result. This procedure should be done only once while installing the lens in the rings. I suggest to install the lens in the AH-MF, to perfectly adjust it, and to dedicate it solely for astrophotography. Buy one more Zeiss-135 for your day-time photography! Again, f/2 is not a game.

Precision is reproducible
Fine Focussing Subsystem
The Fine Focussing Subsystem is part of the AH-MF. It smoothly rotates the mounting rings to focus the Zeiss lens while displaying the focussing distance precisely. During focussing the Zeiss lens varies in length. This fact has been considered in the AH-MF, i.e. the focuser gently touches the plate and make a slight move of few millimeters during focussing.

Focussing is done by means a digital micrometer screw. Its digital display facilitates the focussing procedure since every μm counts at f/2 f-stop.

Most of the images in this review show the last AH-MF prototype for Canon ZE lenses. Since January 2016, both Canon ZE and Nikon ZF.2 versions are available. During the prototyping phase in 2014, a AH-MF version for the Sigma 105 mm F2,8 EX Makro DG OS HSM -a great lens in a plastic barrel- was successfully tested. The images #1, #2 are captured with it in Roque de los Muchachos, La Palma Island, at 2040m altitude.

I will show you the stars
Guider
Our guider is truly unconventional. It consists of:
The software MaximDL or PHD Guiding are used to control it.

The best light beams come through
Filters

  • Baader 36mm filter set for Full-Frame-CCD, consisting of three filters - H-alpha 7nm , OIII 8,5nm , SII 8nm. The filters are round, 2mm thick, without cell.
  • Baader RGB color filter set: 2mm thick, new 2015 version with steeper slope to better absorb the light pollution.
  • The following filters which are also 2mm thick are used: Red filter , Green filter , Blue filter
  • Possible filter variants could also be: Baader Highspeed Filter. Unfortunately, these are not available in 36mm size for the slim (10mm thick) filter drawer we have used.
We avoided no name filters. At diaphragm f/2, issues like halos around the stars or reflections can occur if the filter layers are not plane-parallel ground processed.

The right place for the right things
Filter Drawer
Filters are usually hosted in dust-tight filter wheels which are mostly big, thick and heavy. The short flange focal distance of the Nikon F-mount specification and our main objective to keep down the total system weight limited our options. A thin, light filter drawer was the best choice!
Our filter drawer is only 10mm thin. Other sizes with a thickness of more than 15 mm are unsuitable. The Zeiss lens is connected to the filter drawer via a Canon-M48 Adapter. The filter drawer is connected to the CCD via an adapter and 3mm long T2-extension tube.

Smart is beautyful
Mount
Only few American, Japanese and European companies are nowadays able to produce a good telescope mount. In the 8kg load class the alternatives are even more limited. One of the most suitable mounts for our system is the Italian Avalon M-Zero.

This is why we have chosen it:
  • low weight, high quality mount 
  • GoTo controller 
  • no worm backslash, because there are no worms. 
  • no counter weights required, due to its smart design. 
  • stable working software
  • mount controllable via PC or smartphone. 
  • no meridian tilt required during exposures. 
  • made in the European Union.
We have used some adaptions to customize our setup:
  • Avalon Guiding adapter is on the other axis side of the telescope so that you can install a Guider there. A smart feature of the Avalon mount that saves passive counterweight.
  • Two tiltable adjustment plates made ​​by astroholgi.de (see photo) on the Guiding Adapter.
  • Dove Tail Clamp Adaption on the adjustment plate (similar to Avalon GP clamp).
  •  Astroholgi Star Plate (see photo) to strengthen the tripod.

The Rock
Tripod
The Gitzo Systematic GT5532s is a modular tripod, with a flat centre disk that can be interchanged for centre columns, levelling bases and other components. A good example for that, is the adapter connecting the Gitzo tripod with the Avalon mount. See Astroholgi's Tripod to Mount adapter.

The Gitzo tripod has leg angle settings but they are not needed in our case. Its strong leg tubes are in 6X carbon fibre with Gitzo's efficient G-locks. Having a weight of only 2.8kg the Gitzo GT5532s can safely carry 40kg of astronomy equipment. Its reputation as "The Rock" is confirmed every time we use it.

The Gitzo reaches a max. height of 132.5 cm with its 3-section legs fully extended, which is enough for our application. There is also a longer 4-section model in Gitzo's product catalog but we suppose the 3-section version should be more stable than the 4-section one. Anyway, both of them are officially specified for a 40kg load capacity, which are good news.

Power up!
Computer and Batteries
The supplied Avalon software runs on a Windows laptop. Additionally, an Android app to control the mount via smartphone is also supplied. MaximDL Pro is used to control the CCD camera and the Guider.

Three lithium iron phosphate rechargeable batteries are connected in parallel. See LiFeEnergy LiFePO4 Accu 12V/12Ah with BMS.
They offer sufficient energy for one night.


Space photos!
Gallery and Software
A narrowband image of IC1396 with our setup

This setup is shown in gallery #1, gallery #2, video.

Astronomy photos with the setup are: North America Nebula, The Cirrus Complex, IC1396.

All telescope computations are done with my AstroDigital.Net software. The very first prototype of Astroholgi's MicroFocuser is shown here.





Conclusion
This setup addresses ambitious astrophotographers needing a high performance, portable system for narrowband work. Our ten thousand dollar baby embodies a sophisticated concept, high-grade mechanics, first-class optics and modern electronics. Its low power consumption and its adequate weight make it suitable for field use. Its resolution matches the common seeing conditions in most northern countries where useful nights are rare.

Thanks for reading
Panagiotis Xipteras



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CAUTION: All actions and modifications in this report could void the warranty or -even destroy your equipment! You are solely responsible for undertaking these actions/ modifications. DISCLAIMER: I have no affiliation with Zeiss, Avalon, Gitzo or any other manufacturer for that matter so I don’t really care if you buy this stuff over another. I take my time with each piece of equipment because I am always on the hunt for perfect solutions.

Friday, February 19, 2016

Tuesday, January 19, 2016

Diving in the Ring - M57

Diving in the Ring. A super zoom inside the Lyra constellation towards the Ring Nebula M57.

Image 1: The Lyra constellation

 Image 2: A ring is between the stars β and γ Lyrae

Image 3: M57 is a ring shaped planetary nebula with a dying star in its centre


Tuesday, December 22, 2015

Catalina meets the galaxy NGC5566 in Virgo


Image: The comet Catalina (C/2013 US10) near the galaxy NGC5566

Exposure: 135mm, f/2, 300s, ISO100, Nikon D7100 at 10°C, CZ Sonnar
Infos: Wikipedia

Saturday, November 14, 2015

Messier 12: A globular star cluster in Ophiuchus

Image: Messier 12

An impressive globular star cluster can be discovered in the Ophiuchus constellation. It has a brightness of 6.7mag and an apparent size of 17.6' in the summer firmament. The light of its stars travelled 16000 years to reach our planet.

This star cluster has a diameter of approx. 80 light years. It has a radial velocity of 42 km/s and a color index of 0.84 (i.e. yellow color). A faint galaxy pair is visible at 02:00. The brightest galaxy of this pair is the PGC1103219.
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References: Wikipedia

Friday, October 30, 2015

Melotte 15: A star cluster in the Heart Nebula

Image: The open star cluster Melotte 15 is found in the center of IC1805

Exposure: SII (red), Ha (green), OIII (blue), 3x10min. exposures for each channel at 660mm (f/5.2), extra RGB exposures to retrieve the star colors.
Image composition: SII-Hα-OIII for the nebulosity, RGB for the stars, HST composite.
Links: Wikipedia